Praised by the New Yorker as “the most significant bassist this country has produced since the advent of Charles Mingus and Flea,” Meshell Ndegeocello makes her ArtPower debut with her GRAMMY-winning album No More Water: The Gospel of James Baldwin.
The prescience of James Baldwin is alive nearly forty years after his passing, a testament to his enduring impact. A prolific writer, his essays, novels, plays, and poetry have assessed and often reproached the human condition. As an activist, his oratory prowess in the 1960s was bar none, lending his outspoken views on Black oppression with profundity and eloquence. Born in New York City on August 2, 1924, this year marks the centennial of the eminent writer, a momentous occasion that is celebrated by the release of one of Meshell Ndegeocello’s most intrepid efforts to date: No More Water: The Gospel Of James Baldwin.
With No More Water, Ndegeocello embarks on a prophetic musical odyssey that transcends boundaries and genres, delving headfirst into race, sexuality, religion, and other recurring themes explored in the celebrated writer’s canon. Following 2023’s The Omnichord Real Book, her acclaimed debut for Blue Note Records which won the inaugural GRAMMY Award for Best Alternative Jazz Album, the multi-instrumentalist, singer, songwriter, and producer renders an immersive and palpable document that is as sagacious, unabashed, and introspective as Baldwin was in life.
